Matching
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a. | Focus | m. | Clipping
Mask | b. | Reduce
Noise | n. | Photoshop (PSD)
format | c. | Auto-align Layers | o. | Use Global Light | d. | Unsharp
Mask | p. | Alpha
Channel | e. | Color Seperation | q. | Merge Down | f. | Photomerge | r. | Layer
Style | g. | Open in Full Screen
Mode | s. | Raster
Art | h. | Drop
Shadow | t. | Warp
text | i. | Adjustment
Layers | u. | Gaussian | j. | Vector-based Objects | v. | Text on a Path | k. | Masking | w. | Edge
Artifacts | l. | Quick Mask Mode | x. | Color Settings | | | | |
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1.
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This dialog
box bends and distorts live text to create wavy, bulging, and perspective effects.
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2.
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Any channel
beyond the core color channels, used almost exclusively in Photoshop to hold masks.
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3.
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Mathematically defined text and shapes that can be scaled or otherwise transformed
without any degradation in quality.
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4.
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A filter
name for a traditional technique in which a photographic negative is combined with a blurred version
of itself.
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5.
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Choose this
command to combine the contents of the active layer with the layer below it.
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6.
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Useful for
creating both shadows and highlights, this layer effect offsets and blurs a silhouette of the active
layer.
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7.
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This command
takes multiple handheld shots that share a common background and moves and distorts them so that they
match up a precisely a s possible.
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8.
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A means for
cropping the content of a group of layers to the boundaries of a layer below them.
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9.
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Now
available from a single convenient palette, these collections of luminance and color settings correct
or modify the contents of the layers below them.
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10.
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A printing
process that outputs each of the CMYK color channels to independent plates so that they can be loaded
with different inks.
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11.
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A collection
of drop shadows, bevels, and other layer effects stored in the Styles palette.
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12.
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The command
that defines the RGB and CMYK color spaces employed by Photoshop.
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13.
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A special
kind of text layer in which text is attached to a path outline to create a line of type that flows
along a curve.
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14.
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Long a
staple of Photoshop, this command automatically stitches multiple images into a seamless panorama.
The difference is, now it works.
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15.
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Named for a
19th-century mathematician, this interpretation of the radius value provides for smooth
transitions between pixels.
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16.
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The ultimate
purpose of this filter is to get rid of random brightness and color variations that occur as a result
of film grain, digital fuzz, and JPEG compression.
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17.
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Digital
photographs and scanned artwork composed exclusively of colored pixels.
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18.
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A method for
creating a selection outline as an independent channel, which you can then edit and save like any
other image.
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19.
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Harsh
transitions along the edge of a layer that belie your masking efforts and are best fixed when
composting the image against a new background.
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20.
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The clarity
of the image formed by the lens element and captured by the camera, whether digital or
film.
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21.
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This check
box locks down the light source so that all directional effects cast highlights and shadows at a
consistent angle.
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22.
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The ideal
file format for saving all layers, masks, and parametric effects in a layered
composition.
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23.
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An option
that turns a PDF documents into an all-consuming slideshow the moment you open it in the Adobe Reader
utility.
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24.
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This feature
lets you press the Q key to view and modify the selection outline as a rubylith
overlay.
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