Matching
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a. | Auto
Tone | g. | Levels | b. | Reb, Blue, & Green | h. | Auto Contrast | c. | Shadows/Highlights | i. | Color Channel | d. | Histogram | j. | Gamma
Value | e. | Curves | k. | Highlights, shadows, &
midtones | f. | Auto Color | l. | Brightness/Contrast | | | | |
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1.
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The three
primary colors of light, which mix together to form a full color image.
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2.
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The three
brightness ranges that you can edit independently using the Levels command.
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3.
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An
independent grayscale image that Photoshop colorizes and mixes with such images to produce a
full-color composite.
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4.
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This command
automatically corrects the shadows and highlights of each color channel independently. As a result,
it often shifts the color balance.
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5.
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The best
tool for manually adjusting the brightness and increasing the contrast of an image on a
channel-by-channel basis.
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6.
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This command
both corrects and neutralizes the shadows, highlights, and midtones in an image, making it the most
useful of Photoshop’s automatic levels-correction functions.
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7.
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Historically
one of the worst functions in Photoshop, this recently improved and frankly useful command lets you
correct the luminance of an image using two straightforward slider bars.
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8.
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This command
automatically corrects the shadows and highlights of an image but leaves the color balance
unchanged.
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9.
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A bar graph
representation of all brightness values and their distribution in an image.
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10.
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The one
command that lets you pinpoint a specific color in an image and make it lighter or darker, best
suited to reducing contrast.
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11.
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Expressed as
an exponent, this value multiplies the brightness of an image to lighten or darken
midtones.
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12.
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This command
lets you darken highlights and lighten shadows, just what you need when correcting flash
photos.
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