Matching
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a. | Vibrance | g. | Camera
Raw | b. | White
Balance | h. | Black &
White | c. | Graduated Filter | i. | Variations | d. | Gradient
Map | j. | Bit
Depth | e. | Red, Yellow, Green, Cyan, Blue, and
Magenta | k. | Secondary
Colors | f. | Exposure | l. | Hue Saturation | | | | |
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1.
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The two
ingredients in color: The first is the tint, from red to magenta, and the second is the purity, from
gray to vivid.
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2.
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This
straightforward command lets you correct an undesirable color cast by clicking thumbnail
previews.
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3.
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The equally
spaced primary colors in Photoshop’s rainbow of hues.
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4.
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This option
raises the intensity of low-saturation colors more than high-saturation ones, making it well suited
to boosting skin tones.
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5.
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This command
allows you to blend the six primary colors to create a perfectly mixed grayscale image, without
having to worry about the combined sum of your numerical settings.
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6.
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These
incremental steps between Photoshop’s primary hues include orange, lime, turquoise, cobalt,
violet, and crimson.
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7.
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Measured in
f-stops, this option corrects the brightness of highlights in the camera raw window.
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8.
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The
predominant color of highlights, usually the result of an uncorrected light source.
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9.
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Adobe tools
for correcting and developing several varieties of unprocessed native image files captured by
midrange and professional-level digital cameras.
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10.
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The number
of digits required to express a single pixel, which in turn determines the potential number of colors
in an image.
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11.
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A tool that
lets you adjust one region of an image independently of another inside the Camera Raw.
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12.
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The best
tool for colorizing a grayscale image because it permits you to select three more colors as well as
modify luminosity values.
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